Hannah Yohance - "Quarantine Love"

This is the type of song that you want to put on when you go out for a drive at midnight to go nowhere. Drop the top, let the air flow and just release. Heartbreak songs are great to cruise to, and I love the groove on this track. I just want to sit back and relax and not feel alone. Who hasn't had a crappy relationship go bad? 

The production on this track is up there and I think that this could be a hit if no where else on college radio. This song just slides out of my speakers, and sounds so very good. Why am I not hearing this on the radio? Hannah does an excellent job of creating a mood and delivering vocally as usual. 

One complaint, the auto-tune. It's done well but I think that Hannah is a good enough artist to have mixed it up a bit here. I would have liked to hear him double up the lyric time in the verses or maybe at least during a middle section of sorts, but this is an artistic call. Who am I to say? The track is good, you should listen to it, nuff said. Hannah delivers once again with a passionate and authentic track. Why are you not listening right now? I honestly don't know but it's artists like Hannah that help with the crap life doles out.

Written by Michael

Hannah Yohance online:

Facebook https://www.facebook.com/HannahYohance46/
Twitter https://twitter.com/hannahyohance
Instagram https://www.instagram.com/hannahyohance
Soundcloud https://soundcloud.com/hannahyohance
Itunes https://itunes.apple.com/us/artist/hannah-yohance/1447300678
Spotify https://open.spotify.com/artist/6VDNhdub1DCVVxXxaJxOhj

On the Brink: "She's All I Need"

Opening with sweet and gentle notes off an acoustic guitar On the Brink's Jeremiah Brinkley not, so much pulls you into his world, but pleasantly invites you. "She's All I Need" is the latest release from this artist which shows off the art of pouring ones soul into a song. As the full number kicks in, a portrait of a beautiful woman is described and put to music. The tender feelings for a beautiful woman shine from this number with great passion. If I were to guess how she looked by judging this number. I would say that she is sweet by the way he sings, beautiful by the way he plays the guitar, powerful with the presence of the bass guitar and poignant by how the percussion is approached. 

Touches like the hints of organ that shine through are nice ear-candy for this track. It would have been easy to throw in some electric lead workings but the organ gives that heartfelt touch that lets you know this is a woman that is special. The guitar work is solid and to be honest I think that this song is  true enough that it could have been kept at just that, a voice and a guitar. Case in point, at 2:48 where the band cuts back and Jeremiah goes solo. The full arrangement adds more power however and it works just as well. The outro guitar lead does the song justice but I would have liked to hear it go on for another measure or two. 

Percussion on the track lays down a solid beat for the rest of the band to play off of. The touch has the right amount of finesse. When adding drums to such a delicate track it can often overpower and distort a song. I think that a good balance has been found here. Bass guitar on the track is a monster. It comes in very powerfully adding a real strength to the song. I'm on the fence though, in regards to it's placement in the mix. I like the bass' place, but at the same time I think it takes over the song a bit much. The playing is on point. Nowhere is the bass noodling more than it should. It holds the low-end well and fills out the song, but part of me feels that it is just too prominent in the mix. 

Jeremiah's singing is done well. He shows a lot of talent and promise. Part of me wonders though if he lacks some certainty, or was rushed in the studio. Much of it he is on point, but there are flints here and there were he could have done better. The track sounds as though it was done with one vocal track. I may be wrong on this, if there were backing vocals it would have helped the number if they were raised up a bit in the mix. The rest of the song is so concrete and especially with the bass so prominent in the mix it makes his voice sound a bit "lonely" at times.

What do I know? I'm just guy listening, not the artist with the vision. This is a great song and you should give it a listen. If you like Country, Southern Rock or Classic Rock you'd probably like this song. And even if you are into Pop you'd probably like "She's All I Need" as well. Do yourself a favor. Check out this song and sit back. Close your eyes and think of the woman of your dreams or dream of becoming one. 

Michael Smith

CHECK OUT THE BAND!

Website: https://www.onthebrinkmusic.com/
Contact: booking@onthebrinkmusic.com
Intagram: https://www.instagram.com/onthebrink_music/
Youtube: https://www.youtube.com/user/Addicted2gtrs

Mafia Hill: China Girl

Turn on the radio or scan Youtube and you will come across an uncountable sea of "safe" artists that pretend to be edgy. Recently I was sent a track from the band Mafia Hill. "China Girl" has a reckless garage band vibe that just throws everything out there and doesn't really care what you think about it. I myself like the idea of Garage Rock because it has the attitude of Punk Rock but you don't get weighed down by the socio/political ethos that Punk so often brandishes. 

That said this is a straight up rocker. The guitar work done on the track has a nice gritty tone that will wake you up and get you out of bed. The right hand work has a sloppy technique yet it stays in the groove. It's the fun type of electric guitar playing that doesn't really care about the rules. Around the three minute mark the guitar lays back to break up the vibe. A crescendo of notes that peak into a guitar solo do well to help move the song up a notch.

The bass guitar on this track is present, but isn't really given the head room to breath. That said, you can tell that this is a guitar song. Probably based on artistic preferences but I would have liked the bass guitar more prevalent in the mix. It does well, it holds down the low end and fills out the sound scape but I wish that the vibe and attention to detail used on the guitar would have been applied here as well. 

Percussion on the cut I will presume is programmed. Essentially it is a loop that continues through the duration of the song. Personally I love guitar fills, but in a sense it is like a throw back to early rock 'n roll where the drums weren't allowed much room for blossoming. They fit well in the mix and keep time well, almost too well for garage rock. Sometimes attitude gets in the way of proper time keeping and adds to the flavor in result. I would have liked to hear more flash on the drums. 

As far as vocals are concerned. Garry has the attitude to match the guitar work. The production is low-fi in nature and that fits with the song's garage rock appeal. The overdubs are minimal but help with dynamics of the performance. I like the rough-neck approach to the love of a beautiful woman. Which he calls his "China Girl".

If you are looking for a song to crank while out on the open road this is your cut. I could totally see myself road raging to this track with the pedal to the metal. I recommend this song to those that like Rock, Garage Rock, Indie and Alternative.

Check out the video: https://www.facebook.com/garry.butlerkania/videos/1310599822479137/

Facebook: https://www.facebook.com/mafiahill/

Michael Smith

The Raft: "Xanadu"

Tucked away, hidden somewhere near Liverpool comes an artist that has sent me a very beautiful song that makes my heart swell. Listening to this track will make you want to curl up on your couch with your special someone and forget about looking at the time. The mix and arrangement has a throwback appeal but at the same time is still fresh and very relevant. Xanadu, is my new favorite pop track of the week and says something, because there is so much Pop music out there that sometimes I find myself nearly stubbing my toe, falling over and breaking my neck.

The song opens with a simple percussion loop that makes me want to stand open my hands, raise them to the sky and begin dancing. Guitar notes dance through the air around me and sound cold as ice, so clear and concise, yet at the same time are so warm and welcoming to the ear. Sounds that are layered are varied in texture creating a rich sound scape that invites you on a journey through your mind as well through artist's. 

Vocals sound as if they are rolling out of Phil's mouth with pure emotion. It seems as though they are just flowing telepathically out of his mind without a breath spent. They sound smooth as silk dancing in the breeze of a warm spring day. The guitar solo that comes in around the 2:55 mark takes the tale further down the road. There was no need for a whirlwind of notes but ones tastefully played that appear as an open hand welcoming you along the journey. 

The chorus will have you singing along no matter what your ability to sing is. As it bounces through my mind I find a peace and still have a longing that is not satisfied but only by the continuation of this song. While "Xanadu" comes in at an epic 6:55 in length it by no means wears out its welcome. Rounding out the cut is a female vocal that is just as smooth as the rest of the song, and as it fades out I find my wondering what to do next besides hit play again. 

I recommend this song to those that like Pop, Electronic, Alternative and Indie styles of music. It was truly another beautiful experience from Phil Wilson. It's worth a spin or twenty.

Michael Smith

Check out the album: https://philtheraft.bandcamp.com/album/abloom

Facebook: https://www.facebook.com/theraft1/

Great Band With a Rap/Rock Vibe

Sometimes you come across a song that embodies the spirit of rock 'n roll. It's the type of music that is not "safe" and it's not something that you wouldn't play in front of your Mom. Nude Eagle has hit the raunchy-groove oriented rap/rock bulls eye. I never know what I am going to hear when I hit play and after the first eleven seconds my face began to smile. I will guarantee that this is not a song or band that everyone will like, but that's not what rock 'n roll is supposed to be, at least in my opinion. I had some idea that I was going to be in for a treat when I get a song from a band called "Nude Eagle". 

Both Sides of Your Mouth starts off with a blues guitar intro that may make you think your in for a simple laid back blues cigarettes and whiskey type of song. But just when you settle in the guitar's gain cranks and the boys from N.E. throw down their groove. This song has plenty of swing and I mean that in a way that will make your naughty girlfriend jump on top of a table and start dancing in a way good girls don't if you know what I mean.



I love the guitar tone. It weaves through the song and holds a grind a funk type of groove that makes you want to move your feet and bang your head. The guitar solo that kicks in 2:55 has elements of hair metal and blues with a twist that is all its own. I found myself wanting to play air guitar and then just go grab mind. On display is a tone and playing that will remind you about how fun and dangerous guitar playing can be.

The bass guitar was probably my most favorite element. It just makes this song bounce. Instead of a low, dull tone that plows through a song the bass guitar here weaves around brings this song to life. The playing and tone had the appropriate amount of flash and fun without taking over the song. 

The percussion on this track was done well also. I liked the groove and the drummer stayed in the pocket. Again just like the guitar and bass work the drums held there ground with the right amount of spice and flair. I liked some of the action on the high hat and how it countered the snare/kick action. There is true talent in this band and it shows by volumes.

The vocals on this cut made me pause. I loved the vocalist's tone. He has that back alley deep tone delivery that made you want to look around to see if you were bout to get caught hooking up with a fix, but wait this is a song. He sounds authentic, reserved but still pulls off the bad-ass vibe. The only complaint that I had was that I personally felt the vocals were a bit buried in the mix. But what do I know? You can hear him. I just think that with the quick delivery of some of the stanzas it would have helped the song to have him up in the mix a bit.

End line, do yourself a favor, get some great speakers and crank this song. Don't have good speakers? Okay, crank it anyway. Just check your attitude and presumptions at the door and have a fun time with this song.

Michael Smith

Ignitemares: Letters to Lauras

There's nothing so nice as a song that bleeds emotion. Unfortunately that usually means an artist has gone through a great deal. On display here, is an artist as long through as long through personal turmoil and decided to share the world. That alone is very brave, to do so on a stage in front of other people is even more daring. The Ignitemares pride themselves as a three piece pop punk band that hales from South Wales which writes in a view of classic pop punk with a weird side and prone to having a serious slant. That said I would say the achieve what the aspire to be... or not to be. 

"Letters to Lauras" wastes no time coming out of the gate with

distorted guitars, a thick bass guitar and behemoth drumming. Sticking to a Pop Punk approach vocally Keyleigh Morgan sings melodically and thankfully clearly. Nothing is more trying than a vocalist singing clean but sounds as if there are marbles in their mouth. Kayleigh approaches the mic and belts out the song well, but I have be honest. I think she's holding back. There are a few moments in this song where she lets go. Like around the 2:24 mark, she lets out a belting scream that is just for the song. However given the lyrical content I think that the song would have favored better if she would have let go a bit more in this song. Letting go doesn't mean that you have to scream nonstop till your vocal chords fall out but for some reason I feel she's holding back and not letting all her passion out vocally. 

The guitars preformed are done very well. I like the tone for the most part and it fits the sound and dynamic of the band. However around the 1:20 mark there is a shift in tone that is a bit more gritty. I thought that this shift was awesome but would have liked to hear it though out the entire track. The guitar tones seem safe and too ordinary for the genre. These are personal preferences and there is nothing wrong with the tone and approach but again it makes the song a bit "safe" or reserved and that flys a bit in the face of what is to be "punk" if there is such a thing. 

The bass guitar is nestled in the mix in an okay place, but here to I think that this band would benefit from boosting the midrange frequencies and letting the low note pop a bit more into the mix. The playing is good and seems right in the pocket. If you've got great players let it fly. If people don't like it there are plenty of other safe rock bands out there they can listen to. The drums stay on track and are preformed well. The dynamics of the song are allowed to swing without things getting out of control. Again though as I listen to the song I almost wonder if the mixing engineer or producer was playing it too safe. There's talent here on display. The frequencies just aren't getting out and the mix is holding this band back. 

Over all, this is a band to watch if their arc continues on the same trajectory and continues to rise. The only place this band has to go is but up unless they self implode or fall to cliche' self-destructiveness. So do yourself a favor, listen to this band, crank it up, go to a show and cheer them on. I gotta believe that they are something to behold live. There's just too much guts on display to conceive that they are shy and afraid to let it rip.

Michael Smith

Fireglow: "Modern Life"

Take a trip to the other side of the world in your mind and on your calendar and you will find without a doubt the happiest dark song you will ever come across. Based out of Sydney, Australia comes a band that is full of fun for the whole family. Maybe though, you don't want the kiddos to listen to hard to the music. "Modern Life" is a happy-go-lucky song that starts of singing about the oily water with bricks and glass. It's the kind of song that draws the listener in, gets bobbing their head and then... "WHAT!"

All that said I really like the song. It has an upbeat groove and style that is indicative of what you might hear during the montage of a Brady Bunch episode. The sing song nature as well as the infectious groove will have you humming this in your head well after the song is over. I really like the percussion work on this track. It holds the groove well and has a number of tasteful fills that give the song the right balance and spice that it needs. The band overall has the 60s - 70s retro music style down cold. I can't think of anyone off the top of my head that nails it so well. The guitar work at hand  has that indelible clean tone that makes you want to put on your favorite sneakers and smile while skipping in the grocery store. I even found myself wanting to air guitar a few times while listening. The bass guitar is in the pocket (though I would have liked it a bit more prominent in places). The tone is spot on with a bounce and growl that makes you want to shake your hips and howl at the moon.

Keyboard work it on spot as well. With a groovy organ tone you want to look for your bell bottoms and put on some rose colored sunglasses. Piano sounds cascade in the right places make you want to drop the top and sing along at the top of your lungs. What I find most delicious and prominent in this song is the vocal harmonies dominating in the chorus. That's the million dollar hook that propels this song into short term memory replay part of your brain. The vocal textures are fun and bounce through the ears that make it nearly impossible to frown despite the gloomy lyrical subject. Mix and production are really pretty good. This isn't some group of hacks in their garage recording with their thumbs with everything cranked to 11. 

If you're in the mood for something different, like retro-rock or want something that will put an extra kick in your step then check out Fireglow and their track "Modern Life". Just make sure that you aren't in a room with low ceilings you may find yourself bopping your head and getting a concussion. Other side affects include: swaying hips, an unending smile and a fear of postmodern industrialism. 

Michael Smith

Ascension - Into the Mountains by Joseph K. Perez

Sometimes life can just be overwhelming and the right piece of music comes along at the right time. As I open "Ascension" and allow the synth textures to roll over my ears I feel as if I have been bathed in a cascade of sonic waves that manage with the aid of my coffee to take me away from life and the far too busy hustle-n-bussle of it all. This piece is accompanied with a video of what I am assuming is drone footage of rock formations in the LasVegas, Nevada area. As far as marriage of visuals and sounds I think you find that this is a very good match. 

The track opens with the buzz of grainy synth textures much like the granular textures of the rock formations present in the video, but soon the sonic scene opens with bell textures and swirling sounds that almost seem to make you feel as if you have been pulled out of your chair and into the clouds. The cut has a laid back vibe that allows you to enjoy the scenery and escape your surroundings. This is the type of music that I would like to have in the background when I am trying to cleanse my musical pallet so that I can think clearly and not be weighted down by any over obtrusive socio/political ideas. The tones are crisp and refreshing. I get an impression of "New Age" and that's not bad, perhaps it is just me. I also get a very clean feeling. Walking away from the track I am ready to get work done and start my day even if it is 11:00pm at night. 

The only downside to this track (if there is one) is the percussion work. Now this is where I interject my opinion and that is in regards to the percussion sounds on the song. I like the placement, approach and construction. However, the mix of the these elements highlights the "metal work". I would have liked to have heard more "punch" from the low-end frequencies. Granted this would have changed the overall vibe and given it more gusto playing down the "chill vibe" on display. Personally with such grand landscapes on display with jagged edges that run in opposite direction of the smooth filming and camera holding I just thought that it would have helped accentuate that. But in full disclosure, I'm a rock guy. I like heavy drums.

I think everyone should listen to this track, but if you are into electronic music of a subdued nature you will especially appreciate this piece. Those that care for Top 40 type material probably won't find enough bells and whistles here to keep an ADHD mind interested, but there is a craft here on display that should be appreciated. 

Check out the video: https://www.skypixel.com/videos/ascension-into-the-mountains?utm_source=copied&utm_medium=PCWeb&utm_campaign=share&sp=0&fbclid=IwAR0ryjaUUbjXk8Njgj7GTYQiacnou_t24V6dBeVMxKCLEDe8koNaGjJKJAU


Michael Smith

The Black Maniac: “All I Know”

Etherial tones open this tack from Ta Black Maniac. “All I Know” isn’t the cliche’ spin about money, women, drugs and cars. This lyrical journey is reflective in nature. The smooth synths in the background lays down a scene that is ideal for the dream like flashbacks that are revealed here. There is a great beat here that is anchored with a solid kick and snare interplay. While it’s not complex it allows for a great performance and accentuates the synths perfectly. Don’t be deceived by it’s simplicity. It’s very beautiful in the overall composition and the beat drops enough to keep you on your toes. 

Vocally the tones on display are great. They don’t see amateur or “over-acted”. The performance is real and in your face. You can tell that this is truth and real life lived. There isn’t really an apologies here. It’s a story about a man trying to live life the best he can but sometimes life gets in the way and you feel you gotta do what you gotta do. Production-wise this has been done very well. You can clearly hear the lyrics and understand them.  All the elements on display cut through the overall mix and have there own home, so that your ears have a banquet to feast on.

Okay, this is a rap, but I would recommend this to everyone.  I feel that this is great writing and a beautiful story is on display. It’s something that should be playing everywhere but isn’t. If you like rap and hip hop genres check it out but if you are someone who just likes a great story I don’t think you will regret spending 3:58 listening, but don’t be surprised if you find yourself putting this on repeat. I listened five times myself before I had to get up and go to work.

Check out the song: https://youtu.be/DJq5PXhcBck

Floral: "This Year"

With a burst of energy Floral open “This Year” with an array of percussion hits and notes that takes your mind on a journey through the recesses of your mind. Question is, will you like what you find? 

The pallet of my ears is well justified for the mix is in full blossom with all elements well represented. The guitars dance from foreground to the back while the bass is well represented from the sides allowing your hips to groove as you walk through the house. The drums pack the appropriate punch to get you to nod your head with the beat, all the while you don’t have to worry about spraining your neck. 

Being that this is an instrumental track, it lends the listener to have a blank canvas as to what the subject matter is. I find myself in the city at a crosswalk. The traffic is busy moving faster than normal and I have to make my way across so that I can get home. Having to time my moves just right I make it across the intersection and on my way. Weaving in and out of people and obstacles I finally find peace and end in arriving home. Any adventure of the mind and emotion could take place with this track in the back ground.

This track is just beautiful. I would recommend this track to those that like rock genres such as indie and prog. This track has a very uplifting feel to in and can help to be that sun rising on a cloudy day. 

Hats off to Floral with an excellent track for a Sunday afternoon. Check it out. It’s definitely worth the spin.

Check it out: https://floral1.bandcamp.com

by

Michael

Denis Sulta: In~Narito

I'll have to be honest there are some mornings where I just want every one to shut up so my brain can catch up and start my day. This track from Denis Sulta fits the bill nicely. It starts off innocent enough with a tight, kick drum that coaxes my heart to begin beating a bit more regular and awake rhythm. Once my senses have been primed a backbeat begins to arrive with swirling synths. As playful keyboard notes dance within my ears I find hope that the sun is out today to match the open leaping notes dancing in front of my face. As a descending sound effect is revealed I find that it's time for me to rise and see what this day may bring. I recommend this track to those that like Electronic music or EDM or people who just want to beak out of the mold and try something new, different and bold. This mini soundscape has much to offer and begs to be played multiple times. Stop, listen, be bold and  go. 

Visit: https://denissulta.bandcamp.com/album/aye-spoake-te-sumwuhn-they-listenhd

Michael Smith

Oldschool: "It's Alright By Me"

This is the type of song that will saunter up into your weekend and catch you off guard. It has a laid back shuffle to it which makes you want grab a great cup of coffee or an ice-cold beer and light a cigarette, even if it is 9:30am. Sometimes you need a quick vacation in the mind and this song suits that purpose. As I close my eyes and I see a beautiful, tall brunette walking towards me licking her lips daring to get into some trouble with her. Before she can sit down and say a word I’m on my feet heading out with her to her convertible to take off in a cloud of dust with the top down and this song on the radio. She’s dangerous and sometimes life needs to be, and yet I open my eyes and I am alone.

As a song stands, its solid. The performance is a bit loose and dangerous, just what a track like this calls for. I’m sure you’ll hear perfectionists out there groaning about the slight shifts in time and what not but this is a human song, played by real men with real passion and heart. The guitars from Chris and Gavin drift through the track like a dream but with true intentionality. It sounds as though it was recorded by plugging straight into the board and jamming out. Upon reading I see that it was cut live in the studio. The guitar sounds beautiful and holds it place well, but I got to admit that I am a fan of a mic’d acoustic. It’s more raw, and this is a song that displays raw human emotion. The guitar solo is sweet and to the point and helps to add musical swagger. It could have told a bit more of the story but it definitely didn’t wear out it’s welcome. The bass guitar in the hands of Ian sits a bit back in the mix and holds down the low end, but it has a great way of peeking out in the right places. Low and round I can almost see a woman’s hips sway as she walks away. As for the percussion work from Keith it is held back as well. It occupies it’s pocket solid and with the crack of the snare you can feel those high heels snap on the floor. There are no stadium fills going on here and that’s to the songs benefit. Such playing would have made this track feel less authentic. Its hard to play well to a song yet not crossing the line of overplaying it. Keith has shown how to walk the line and get the job done. Vocally the performance is top notch. The lyrics and their performance shine with the emotion and passion. The only down side is that the mic’s used didn’t catch a crisp and clear hi-end. There is a real smooth “rolled off” tone for the vocals. They don’t sound bad, the mic’s just don’t catch the sharp side of the feel in this cut. 

This is the type of song that you want on your playlist to help slow things up and enjoy the day. Oldschool does well to keeping things simple and to the point so that you can enjoy the ride with whom ever you choose. I would recommend this track to those who like Classic Rock, Folk, Pop and Acoustic singer/songwriter styles. So go and take a trip with Oldschool, after all they say, “It’s all right by me…”

Written by Michael Smith

The band

Chris Cole guitar/lead vocals

Gavin Edwards - guitar and backing vocals

Ian Cattell - bass and backing vocals

Keith Newstead - drums

Visit the band

Facebook: https://www.facebook.com/OldschoolHQ/

Youtube: https://www.youtube.com/channel/UCciWk87VLSTiHV9XXbVp2Lg

Peat & Diesel: "Country Boy"

There are few things that can put a smile on my face like the unexpected accordion. This is a great track. I love the balance in the production. Everything shines through and is well heard. Now I have to be honest I clicked on "Folk Music". I was expecting some mellow acoustic guitar with a mellow vocals from a baritone man a or woman that would help me ease into this day. So much was my surprise when "Country Boy" from Peat & Diesel came rolling into my ears. This is what I really needed. They accordion is great but the guitars come in with just the right amount of grind that lets you know that this "Country Boy" isn't afraid to get a little dirt under his fingers. The percussion work remind me of laid back punk but they suit the song really well. I didn't hear the bass that much, maybe there wasn't one, but this track holds well with the mix the way it is. Lyrically this song touched me. I'm a bit of bumpkin myself out here in the sticks so the story about this man made me smile laugh and I have to say that if I wasn't so lazy I would have got of my ass and done did some dancing. Do yourself favor, listen to this song. You need to, your ears will thank you. Your heart will thank you.

Check out the band: https://peatanddiesel.bandcamp.com/album/uptown-fank

Destroyer: Have We Met

I really like the opening synth here. It makes me believe that anything is possible. As the vocals come in I am impressed. The tone opens my heart and the message is ready to be received. As the beat comes it it helps lay a sound foundation. Nothing fancy but it gets the job done and then, WHAM! The song blows wide open.

This is the type of song that I recommend for getting something done. So much in the world makes you want to go ,"BLAH I'm staying in bed", but this track helps you wake up and move on with your day. Aficionados may tell you that the voice it a bit pitchy or that they lyrical content is contrite but this (to me) is a one of those real songs from an authentic artist. Do yourself a favor, schedule yourself a mini vacation and crank this song. This isn't something that is made for low volumes. It is one that should blast from your speakers and out to the mountain tops.

So blow off the nay-sayers, be yourself and embrace a song that could quite possibly be your new theme song for life or just today. It will be what you make it.

Find the band: https://destroyer.bandcamp.com/album/have-we-met

Weyes Blood: Rough Trade Session

If you are looking for a song that can start your day without being too rude and loud this is the song you need. Sparing vocals it winds through your mind and will compliment that perfect cup of coffee. The textures for a "Rough Trade Session" are rather sublime. I am not one that wakes up and says, "Hey I really need more organ in my life", but this track takes the cake. I am especially impressed by the whittling. I can barely whistle the Andy Griffith Theme so the blows that weave through this track are pleasant, sweet and well placed.

Check this song if you need something mellow and energizing at the same time.

That's all I got to say about that.

P.O.D. - Listening For The Silence (Circles) 2018

Aida, On the Cusp of Shining Like a Beautiful Star

The Cusp of Beauty, Opening guitars howl and piano notes gently drift off the soundboard creating an optimistic environment for the beat to drop and hammer hard. Looking inward Aida explores the consciousness of an artist and where conflicts seem to be a daily grind. Powerful backing elements create the scape for an epic title track. With electric guitars grinding in the background they contrast well with the piano work to create a “Fire and Ice” juxtaposition. On “Grasp of Beauty” Aida creates an uptempo smooth track with beautiful choruses sung that will put air under your wings encouraging you to fly. The beat has a swinging feel that makes you want to hit the road and get something done today. This song would work well in an inspirational movie. Aida has truly grown with this release as it shows on every track. This song in particular is hook heavy and shoots for the stars. Opening strings on “Progressive Journey” imply a tender side of a warriors heart. Contrasting his hard vocal approach on lyrical rhymes, the soulful female vocals in the choruses and the winding melodies floating in the background do well push the release even further. While the soundscape breaks down from time to time it rebuilds very strong with pro songwriting chops. The low-fi opening of “Progression” makes you feel like you are lying in bed listening to an old radio as the sound blossoms and creates a beautiful bouquet. The verse tag team action with Choric Lumina adds yet another dimension that takes you on a fuller and deeper journey. The electronic elements on this track help mixup the tone flow and activates different pallets that will make you want to dig deeper into each song.  With opening vocals singing in an Indie Rock vibe, the track “Burn Like Fire” makes you feel you are stuck out in the rain ready to shake off the cold wet blues and become a soaring Phoenix. The contrasting melodic sung verse and choruses with Aida’s signature vocal flow authentically replicates what it feels like sometimes to be stuck in a conflicted relationship. The acoustic guitar work is placed really well in this song in unison with the strings in the chorus create a powerful track that drips with passion. Opening vocals lines on “Mirror’s Reflection” reach deep into a rejected heart wanting to love. Clean electric guitars evoke visions of broken hands reaching out for love and understanding. Pounding beats feel like a world beating down that doesn't understand. Growling bass guitar lines pose as the Mirror that is relentless and unforgiving. As the tune “Cry Out For Help” unfolds you find yourself starring face to face with a desperate man. Piano work creates textures that are true beauty in motion. The beat takes the back seat and provides a solid back bone, but the haunting hook vocal is that which rain clouds release for. While sounding a bit over processed the hook line serves it’s purpose and makes you wonder if someone is laying on the floor amidst the shards of broken glass. Electric guitars create a tension that makes you feel like a storm is brewing on “Fade Out”. Bass notes provide a flow that feel like a cold breeze which is trying to steal your soul. With spirited vocals slamming the tag team nature helps the song evolve and keeps the sparks flying. Female vocals sweetly weaving through the choruses are the light that keep the strongest dreams alive. The cadences employed here on the varying vocal deliveries are that of true pro status. I would call this cut a true stand out track. With the funky piano groove on “Feel Good” you cant help but get your pants out of the chair and shake your skin till it shines in the sun. The samples are laid with excellent position. This thick track has the goods and is an awesome way to round out such a deep reaching album. I would recommend this release to anyone that likes true emotion on display. Those that like Pop, Rap and Hip Hop will especially find jewels here to enjoy for weeks to come.  With Aida on The Cusp of Beauty his star has only begun to shine. Hopefully he will not rest on what he has created hear and continue to push the boundaries with more emotionally energizing tracks to be cut in the future. 

Facebook: https://www.facebook.com/aidapageofmusic/

Twitter: http://twitter.com/AIDAH_MUSIC

Michael

Music Reviews

musicreviewsbymichael@yahoo.com

Matt Maher, Leading the Way With His "Firelight"

“Firelight” - As I press play on the single “Firelight” , guitars wind out of my speakers and into my mind. I feel like I am being propelled back in time to a point in my life where everything was on the line. Notes selected bring a rising tension to the number as vocals plead for a better day. Soul and true desire are on full display, like a man hungry in the desert. Beautifully pleading Mr. Maher unleashes his desires like the kick drum that drops beat after beat like the world does so well to beat you down. As the song opens to the chorus I feel the urge to open my arms and welcome Jesus in. This is the typed of stomping song that will have you wanting to get out of your seat and run to the new day, and become all that God wants you to be. Electric guitars have a gritty charm to them and represent just how dirty the world can be. In contrast the organs swell in background with angelic beauty and push this song's emotion to a higher level. Percussion textures lay a driving beat that will encourage the soul to put one foot in front of the other and walk past the door of doubt and fear. They serve the backbone of the song well and help provide the power with a swinging beat. Bass guitar notes pulse and curve through this cut with a low-end growl that act as a concrete podium that will help raise your spirits into the heavens where you can reach your full potential. At the 2:36 mark the vibe of the song cuts to a delicate and tender moment like that of a true beating heart waiting to unleash all that can become. As the song rebuilds with vocals sung straight from the gut Matt allows this track to take flight even higher. I would recommend this song to those that like Pop, Rock, Americana and Christian genres. With the world so cold and dark anymore this is one of those songs that will serve as a “Firelight” to help the lost souls find their way to be saved.

Website: http://www.mattmahermusic.com

Twitter: https://twitter.com/mattmahermusic

Facebook: https://www.facebook.com/mattmahermusic

Michael

Music Reviews

musicreviewsbymichael@yahoo.com

Dylan Ruiz, Bringing the Sunshine With This Life

“This is My Life” - This is one of those songs that talk about the dark-side of life, but unites with music that is rich in character and will leave a hop in your step. An inspirational song that has an infectious beat, this is great to put in your ears when you are about to take on the world. Production is top notch, I really like how the construction of this song has plenty of open air so that all the elements have room to breathe. It allows the message come through, and keeps the track from being overly claustrophobic. Piano work rings through you mind like past memories and regrets. They hang in the air to be absorbed and enjoyed. Bass clef notes ring far in the background like memories that haunt, but give power to the song. They remind you of how far you have come, how better you are and foretell what wonderful opportunities lay ahead. The percussion work is nontraditional and serve the song well. They help the tune break out of the common Pop model. Guitar work that dances around the choruses are like butterflies of hope that will rise the spirits of any dark day. I would recommend this track to those that like Pop music. This song is a ray of light in a dark world obsessed with  feeding personal addictions. While “This is my Life” is a song personal to Dylan Ruiz it also can serve as an inspiration to what we can all strive for. 

Michael 

Music Reviews

musicreviewsbymichael@yahoo.com

The Boston Shakers, Rocking You into a Flow of Bliss

The Boston Shakers Demo - When the opening drums start pulsing in my ear I feel like I have either drank too much coffee or that I actually woke up in another dimension in a dream where slow motion is 500 bpm.  The drums pound, the guitars are fuzzed and overdriven, bass guitar notes pulse like a teenagers pelvis after staring at a cover of Cosmo for an hour, and vocals swagger and flow like a cat in heat out late at night. “Plastic Bag” embodies true Rock n’ Roll attitude and lays it down like seasoned veterans. “Black Magic” continues the flow and rocks a tempo that sits left of center. It fits the song well. The Boston Shakers rock the rap/rock thing like a real rock band would and flows like a poet truly in the zone. If this is the things a demo from the The Boston Shakers are made of then the authentic release is sure to be a sizzling shot of artistry to the brain. With hooks that will have you humming the songs for weeks TBS take your ears by storm and will tantalize your brain with picturesque lyrical lines.  Rounding out the selections for my tasting was the cut “Best Things in Life for Free”. The bass grinds like a pair of jeans wore so tight you will see the goosebumps rise as the music climaxes. This is truly an infectious song that will have the audience clapping and singing along. With guitar and vocal hooks in toe you have here a classic anthemic song. I would recommend this to those that like Rock, Alternative, Rock/Rap and Underground Rap genres. The Boston Shakers live up to their name shaking up the musical landscape with a set of songs that were born to rock. 

Website: http://www.thebostonshakersmusic.com

Facebook: https://www.facebook.com/Thebostonshakers?fref=ts

Instagram: https://instagram.com/the_boston_shakers/

Twitter: https://twitter.com/Boston_Shakers

Soundcloud: https://soundcloud.com/thebostonshakersmusic

Michael

Music Reviews

musicreviewsbymichael@yahoo.com