Showing posts with label Music Review. Show all posts
Showing posts with label Music Review. Show all posts

Sunday, June 28, 2020

Hannah Yohance - "Quarantine Love"

This is the type of song that you want to put on when you go out for a drive at midnight to go nowhere. Drop the top, let the air flow and just release. Heartbreak songs are great to cruise to, and I love the groove on this track. I just want to sit back and relax and not feel alone. Who hasn't had a crappy relationship go bad? 


The production on this track is up there and I think that this could be a hit if no where else on college radio. This song just slides out of my speakers, and sounds so very good. Why am I not hearing this on the radio? Hannah does an excellent job of creating a mood and delivering vocally as usual. 

One complaint, the auto-tune. It's done well but I think that Hannah is a good enough artist to have mixed it up a bit here. I would have liked to hear him double up the lyric time in the verses or maybe at least during a middle section of sorts, but this is an artistic call. Who am I to say? The track is good, you should listen to it, nuff said. Hannah delivers once again with a passionate and authentic track. Why are you not listening right now? I honestly don't know but it's artists like Hannah that help with the crap life doles out.

Written by Michael




Hannah Yohance online:

Facebook https://www.facebook.com/HannahYohance46/
Twitter https://twitter.com/hannahyohance
Instagram https://www.instagram.com/hannahyohance
Soundcloud https://soundcloud.com/hannahyohance
Itunes https://itunes.apple.com/us/artist/hannah-yohance/1447300678
Spotify https://open.spotify.com/artist/6VDNhdub1DCVVxXxaJxOhj

Sunday, March 22, 2020

On the Brink: "She's All I Need"

Opening with sweet and gentle notes off an acoustic guitar On the Brink's Jeremiah Brinkley not, so much pulls you into his world, but pleasantly invites you. "She's All I Need" is the latest release from this artist which shows off the art of pouring ones soul into a song. As the full number kicks in, a portrait of a beautiful woman is described and put to music. The tender feelings for a beautiful woman shine from this number with great passion. If I were to guess how she looked by judging this number. I would say that she is sweet by the way he sings, beautiful by the way he plays the guitar, powerful with the presence of the bass guitar and poignant by how the percussion is approached. 

Touches like the hints of organ that shine through are nice ear-candy for this track. It would have been easy to throw in some electric lead workings but the organ gives that heartfelt touch that lets you know this is a woman that is special. The guitar work is solid and to be honest I think that this song is  true enough that it could have been kept at just that, a voice and a guitar. Case in point, at 2:48 where the band cuts back and Jeremiah goes solo. The full arrangement adds more power however and it works just as well. The outro guitar lead does the song justice but I would have liked to hear it go on for another measure or two. 

Percussion on the track lays down a solid beat for the rest of the band to play off of. The touch has the right amount of finesse. When adding drums to such a delicate track it can often overpower and distort a song. I think that a good balance has been found here. Bass guitar on the track is a monster. It comes in very powerfully adding a real strength to the song. I'm on the fence though, in regards to it's placement in the mix. I like the bass' place, but at the same time I think it takes over the song a bit much. The playing is on point. Nowhere is the bass noodling more than it should. It holds the low-end well and fills out the song, but part of me feels that it is just too prominent in the mix. 

Jeremiah's singing is done well. He shows a lot of talent and promise. Part of me wonders though if he lacks some certainty, or was rushed in the studio. Much of it he is on point, but there are flints here and there were he could have done better. The track sounds as though it was done with one vocal track. I may be wrong on this, if there were backing vocals it would have helped the number if they were raised up a bit in the mix. The rest of the song is so concrete and especially with the bass so prominent in the mix it makes his voice sound a bit "lonely" at times.

What do I know? I'm just guy listening, not the artist with the vision. This is a great song and you should give it a listen. If you like Country, Southern Rock or Classic Rock you'd probably like this song. And even if you are into Pop you'd probably like "She's All I Need" as well. Do yourself a favor. Check out this song and sit back. Close your eyes and think of the woman of your dreams or dream of becoming one. 

Michael Smith

CHECK OUT THE BAND!

Website: https://www.onthebrinkmusic.com/
Contact: booking@onthebrinkmusic.com
Intagram: https://www.instagram.com/onthebrink_music/
Youtube: https://www.youtube.com/user/Addicted2gtrs

Sunday, March 15, 2020

Great Band With a Rap/Rock Vibe

Sometimes you come across a song that embodies the spirit of rock 'n roll. It's the type of music that is not "safe" and it's not something that you wouldn't play in front of your Mom. Nude Eagle has hit the raunchy-groove oriented rap/rock bulls eye. I never know what I am going to hear when I hit play and after the first eleven seconds my face began to smile. I will guarantee that this is not a song or band that everyone will like, but that's not what rock 'n roll is supposed to be, at least in my opinion. I had some idea that I was going to be in for a treat when I get a song from a band called "Nude Eagle". 

Both Sides of Your Mouth starts off with a blues guitar intro that may make you think your in for a simple laid back blues cigarettes and whiskey type of song. But just when you settle in the guitar's gain cranks and the boys from N.E. throw down their groove. This song has plenty of swing and I mean that in a way that will make your naughty girlfriend jump on top of a table and start dancing in a way good girls don't if you know what I mean.



I love the guitar tone. It weaves through the song and holds a grind a funk type of groove that makes you want to move your feet and bang your head. The guitar solo that kicks in 2:55 has elements of hair metal and blues with a twist that is all its own. I found myself wanting to play air guitar and then just go grab mind. On display is a tone and playing that will remind you about how fun and dangerous guitar playing can be.

The bass guitar was probably my most favorite element. It just makes this song bounce. Instead of a low, dull tone that plows through a song the bass guitar here weaves around brings this song to life. The playing and tone had the appropriate amount of flash and fun without taking over the song. 


The percussion on this track was done well also. I liked the groove and the drummer stayed in the pocket. Again just like the guitar and bass work the drums held there ground with the right amount of spice and flair. I liked some of the action on the high hat and how it countered the snare/kick action. There is true talent in this band and it shows by volumes.

The vocals on this cut made me pause. I loved the vocalist's tone. He has that back alley deep tone delivery that made you want to look around to see if you were bout to get caught hooking up with a fix, but wait this is a song. He sounds authentic, reserved but still pulls off the bad-ass vibe. The only complaint that I had was that I personally felt the vocals were a bit buried in the mix. But what do I know? You can hear him. I just think that with the quick delivery of some of the stanzas it would have helped the song to have him up in the mix a bit.


End line, do yourself a favor, get some great speakers and crank this song. Don't have good speakers? Okay, crank it anyway. Just check your attitude and presumptions at the door and have a fun time with this song.

Michael Smith

Sunday, March 8, 2020

Ignitemares: Letters to Lauras

There's nothing so nice as a song that bleeds emotion. Unfortunately that usually means an artist has gone through a great deal. On display here, is an artist as long through as long through personal turmoil and decided to share the world. That alone is very brave, to do so on a stage in front of other people is even more daring. The Ignitemares pride themselves as a three piece pop punk band that hales from South Wales which writes in a view of classic pop punk with a weird side and prone to having a serious slant. That said I would say the achieve what the aspire to be... or not to be. 

"Letters to Lauras" wastes no time coming out of the gate with
distorted guitars, a thick bass guitar and behemoth drumming. Sticking to a Pop Punk approach vocally Keyleigh Morgan sings melodically and thankfully clearly. Nothing is more trying than a vocalist singing clean but sounds as if there are marbles in their mouth. Kayleigh approaches the mic and belts out the song well, but I have be honest. I think she's holding back. There are a few moments in this song where she lets go. Like around the 2:24 mark, she lets out a belting scream that is just for the song. However given the lyrical content I think that the song would have favored better if she would have let go a bit more in this song. Letting go doesn't mean that you have to scream nonstop till your vocal chords fall out but for some reason I feel she's holding back and not letting all her passion out vocally. 

The guitars preformed are done very well. I like the tone for the most part and it fits the sound and dynamic of the band. However around the 1:20 mark there is a shift in tone that is a bit more gritty. I thought that this shift was awesome but would have liked to hear it though out the entire track. The guitar tones seem safe and too ordinary for the genre. These are personal preferences and there is nothing wrong with the tone and approach but again it makes the song a bit "safe" or reserved and that flys a bit in the face of what is to be "punk" if there is such a thing. 

The bass guitar is nestled in the mix in an okay place, but here to I think that this band would benefit from boosting the midrange frequencies and letting the low note pop a bit more into the mix. The playing is good and seems right in the pocket. If you've got great players let it fly. If people don't like it there are plenty of other safe rock bands out there they can listen to. The drums stay on track and are preformed well. The dynamics of the song are allowed to swing without things getting out of control. Again though as I listen to the song I almost wonder if the mixing engineer or producer was playing it too safe. There's talent here on display. The frequencies just aren't getting out and the mix is holding this band back. 

Over all, this is a band to watch if their arc continues on the same trajectory and continues to rise. The only place this band has to go is but up unless they self implode or fall to cliche' self-destructiveness. So do yourself a favor, listen to this band, crank it up, go to a show and cheer them on. I gotta believe that they are something to behold live. There's just too much guts on display to conceive that they are shy and afraid to let it rip.



Michael Smith

Fireglow: "Modern Life"

Take a trip to the other side of the world in your mind and on your calendar and you will find without a doubt the happiest dark song you will ever come across. Based out of Sydney, Australia comes a band that is full of fun for the whole family. Maybe though, you don't want the kiddos to listen to hard to the music. "Modern Life" is a happy-go-lucky song that starts of singing about the oily water with bricks and glass. It's the kind of song that draws the listener in, gets bobbing their head and then... "WHAT!"


All that said I really like the song. It has an upbeat groove and style that is indicative of what you might hear during the montage of a Brady Bunch episode. The sing song nature as well as the infectious groove will have you humming this in your head well after the song is over. I really like the percussion work on this track. It holds the groove well and has a number of tasteful fills that give the song the right balance and spice that it needs. The band overall has the 60s - 70s retro music style down cold. I can't think of anyone off the top of my head that nails it so well. The guitar work at hand  has that indelible clean tone that makes you want to put on your favorite sneakers and smile while skipping in the grocery store. I even found myself wanting to air guitar a few times while listening. The bass guitar is in the pocket (though I would have liked it a bit more prominent in places). The tone is spot on with a bounce and growl that makes you want to shake your hips and howl at the moon.
Keyboard work it on spot as well. With a groovy organ tone you want to look for your bell bottoms and put on some rose colored sunglasses. Piano sounds cascade in the right places make you want to drop the top and sing along at the top of your lungs. What I find most delicious and prominent in this song is the vocal harmonies dominating in the chorus. That's the million dollar hook that propels this song into short term memory replay part of your brain. The vocal textures are fun and bounce through the ears that make it nearly impossible to frown despite the gloomy lyrical subject. Mix and production are really pretty good. This isn't some group of hacks in their garage recording with their thumbs with everything cranked to 11. 

If you're in the mood for something different, like retro-rock or want something that will put an extra kick in your step then check out Fireglow and their track "Modern Life". Just make sure that you aren't in a room with low ceilings you may find yourself bopping your head and getting a concussion. Other side affects include: swaying hips, an unending smile and a fear of postmodern industrialism. 




Michael Smith

Sunday, February 9, 2020

The Black Maniac: “All I Know”



Etherial tones open this tack from Ta Black Maniac. “All I Know” isn’t the cliche’ spin about money, women, drugs and cars. This lyrical journey is reflective in nature. The smooth synths in the background lays down a scene that is ideal for the dream like flashbacks that are revealed here. There is a great beat here that is anchored with a solid kick and snare interplay. While it’s not complex it allows for a great performance and accentuates the synths perfectly. Don’t be deceived by it’s simplicity. It’s very beautiful in the overall composition and the beat drops enough to keep you on your toes. 

Vocally the tones on display are great. They don’t see amateur or “over-acted”. The performance is real and in your face. You can tell that this is truth and real life lived. There isn’t really an apologies here. It’s a story about a man trying to live life the best he can but sometimes life gets in the way and you feel you gotta do what you gotta do. Production-wise this has been done very well. You can clearly hear the lyrics and understand them.  All the elements on display cut through the overall mix and have there own home, so that your ears have a banquet to feast on.

Okay, this is a rap, but I would recommend this to everyone.  I feel that this is great writing and a beautiful story is on display. It’s something that should be playing everywhere but isn’t. If you like rap and hip hop genres check it out but if you are someone who just likes a great story I don’t think you will regret spending 3:58 listening, but don’t be surprised if you find yourself putting this on repeat. I listened five times myself before I had to get up and go to work.


Check out the song: https://youtu.be/DJq5PXhcBck

Sunday, January 26, 2020

Floral: "This Year"

With a burst of energy Floral open “This Year” with an array of percussion hits and notes that takes your mind on a journey through the recesses of your mind. Question is, will you like what you find? 

The pallet of my ears is well justified for the mix is in full blossom with all elements well represented. The guitars dance from foreground to the back while the bass is well represented from the sides allowing your hips to groove as you walk through the house. The drums pack the appropriate punch to get you to nod your head with the beat, all the while you don’t have to worry about spraining your neck. 

Being that this is an instrumental track, it lends the listener to have a blank canvas as to what the subject matter is. I find myself in the city at a crosswalk. The traffic is busy moving faster than normal and I have to make my way across so that I can get home. Having to time my moves just right I make it across the intersection and on my way. Weaving in and out of people and obstacles I finally find peace and end in arriving home. Any adventure of the mind and emotion could take place with this track in the back ground.

This track is just beautiful. I would recommend this track to those that like rock genres such as indie and prog. This track has a very uplifting feel to in and can help to be that sun rising on a cloudy day. 

Hats off to Floral with an excellent track for a Sunday afternoon. Check it out. It’s definitely worth the spin.


by

Michael

Monday, December 2, 2019

Denis Sulta: In~Narito

I'll have to be honest there are some mornings where I just want every one to shut up so my brain can catch up and start my day. This track from Denis Sulta fits the bill nicely. It starts off innocent enough with a tight, kick drum that coaxes my heart to begin beating a bit more regular and awake rhythm. Once my senses have been primed a backbeat begins to arrive with swirling synths. As playful keyboard notes dance within my ears I find hope that the sun is out today to match the open leaping notes dancing in front of my face. As a descending sound effect is revealed I find that it's time for me to rise and see what this day may bring. I recommend this track to those that like Electronic music or EDM or people who just want to beak out of the mold and try something new, different and bold. This mini soundscape has much to offer and begs to be played multiple times. Stop, listen, be bold and  go. 

Visit: https://denissulta.bandcamp.com/album/aye-spoake-te-sumwuhn-they-listenhd

Michael Smith

Saturday, November 30, 2019

Oldschool: "It's Alright By Me"

This is the type of song that will saunter up into your weekend and catch you off guard. It has a laid back shuffle to it which makes you want grab a great cup of coffee or an ice-cold beer and light a cigarette, even if it is 9:30am. Sometimes you need a quick vacation in the mind and this song suits that purpose. As I close my eyes and I see a beautiful, tall brunette walking towards me licking her lips daring to get into some trouble with her. Before she can sit down and say a word I’m on my feet heading out with her to her convertible to take off in a cloud of dust with the top down and this song on the radio. She’s dangerous and sometimes life needs to be, and yet I open my eyes and I am alone.

As a song stands, its solid. The performance is a bit loose and dangerous, just what a track like this calls for. I’m sure you’ll hear perfectionists out there groaning about the slight shifts in time and what not but this is a human song, played by real men with real passion and heart. The guitars from Chris and Gavin drift through the track like a dream but with true intentionality. It sounds as though it was recorded by plugging straight into the board and jamming out. Upon reading I see that it was cut live in the studio. The guitar sounds beautiful and holds it place well, but I got to admit that I am a fan of a mic’d acoustic. It’s more raw, and this is a song that displays raw human emotion. The guitar solo is sweet and to the point and helps to add musical swagger. It could have told a bit more of the story but it definitely didn’t wear out it’s welcome. The bass guitar in the hands of Ian sits a bit back in the mix and holds down the low end, but it has a great way of peeking out in the right places. Low and round I can almost see a woman’s hips sway as she walks away. As for the percussion work from Keith it is held back as well. It occupies it’s pocket solid and with the crack of the snare you can feel those high heels snap on the floor. There are no stadium fills going on here and that’s to the songs benefit. Such playing would have made this track feel less authentic. Its hard to play well to a song yet not crossing the line of overplaying it. Keith has shown how to walk the line and get the job done. Vocally the performance is top notch. The lyrics and their performance shine with the emotion and passion. The only down side is that the mic’s used didn’t catch a crisp and clear hi-end. There is a real smooth “rolled off” tone for the vocals. They don’t sound bad, the mic’s just don’t catch the sharp side of the feel in this cut. 

This is the type of song that you want on your playlist to help slow things up and enjoy the day. Oldschool does well to keeping things simple and to the point so that you can enjoy the ride with whom ever you choose. I would recommend this track to those who like Classic Rock, Folk, Pop and Acoustic singer/songwriter styles. So go and take a trip with Oldschool, after all they say, “It’s all right by me…”

Written by Michael Smith

The band
Chris Cole guitar/lead vocals
Gavin Edwards - guitar and backing vocals
Ian Cattell - bass and backing vocals
Keith Newstead - drums

Visit the band


Saturday, November 23, 2019

Peat & Diesel: "Country Boy"

There are few things that can put a smile on my face like the unexpected accordion. This is a great track. I love the balance in the production. Everything shines through and is well heard. Now I have to be honest I clicked on "Folk Music". I was expecting some mellow acoustic guitar with a mellow vocals from a baritone man a or woman that would help me ease into this day. So much was my surprise when "Country Boy" from Peat & Diesel came rolling into my ears. This is what I really needed. They accordion is great but the guitars come in with just the right amount of grind that lets you know that this "Country Boy" isn't afraid to get a little dirt under his fingers. The percussion work remind me of laid back punk but they suit the song really well. I didn't hear the bass that much, maybe there wasn't one, but this track holds well with the mix the way it is. Lyrically this song touched me. I'm a bit of bumpkin myself out here in the sticks so the story about this man made me smile laugh and I have to say that if I wasn't so lazy I would have got of my ass and done did some dancing. Do yourself favor, listen to this song. You need to, your ears will thank you. Your heart will thank you.

Check out the band: https://peatanddiesel.bandcamp.com/album/uptown-fank


Thursday, November 21, 2019

Destroyer: Have We Met

I really like the opening synth here. It makes me believe that anything is possible. As the vocals come in I am impressed. The tone opens my heart and the message is ready to be received. As the beat comes it it helps lay a sound foundation. Nothing fancy but it gets the job done and then, WHAM! The song blows wide open.

This is the type of song that I recommend for getting something done. So much in the world makes you want to go ,"BLAH I'm staying in bed", but this track helps you wake up and move on with your day. Aficionados may tell you that the voice it a bit pitchy or that they lyrical content is contrite but this (to me) is a one of those real songs from an authentic artist. Do yourself a favor, schedule yourself a mini vacation and crank this song. This isn't something that is made for low volumes. It is one that should blast from your speakers and out to the mountain tops.

So blow off the nay-sayers, be yourself and embrace a song that could quite possibly be your new theme song for life or just today. It will be what you make it.

Find the band: https://destroyer.bandcamp.com/album/have-we-met


Wednesday, November 20, 2019

Weyes Blood: Rough Trade Session

If you are looking for a song that can start your day without being too rude and loud this is the song you need. Sparing vocals it winds through your mind and will compliment that perfect cup of coffee. The textures for a "Rough Trade Session" are rather sublime. I am not one that wakes up and says, "Hey I really need more organ in my life", but this track takes the cake. I am especially impressed by the whittling. I can barely whistle the Andy Griffith Theme so the blows that weave through this track are pleasant, sweet and well placed.

Check this song if you need something mellow and energizing at the same time.

That's all I got to say about that.


Friday, November 27, 2015

Aida, On the Cusp of Shining Like a Beautiful Star

The Cusp of Beauty, Opening guitars howl and piano notes gently drift off the soundboard creating an optimistic environment for the beat to drop and hammer hard. Looking inward Aida explores the consciousness of an artist and where conflicts seem to be a daily grind. Powerful backing elements create the scape for an epic title track. With electric guitars grinding in the background they contrast well with the piano work to create a “Fire and Ice” juxtaposition. On “Grasp of Beauty” Aida creates an uptempo smooth track with beautiful choruses sung that will put air under your wings encouraging you to fly. The beat has a swinging feel that makes you want to hit the road and get something done today. This song would work well in an inspirational movie. Aida has truly grown with this release as it shows on every track. This song in particular is hook heavy and shoots for the stars. Opening strings on “Progressive Journey” imply a tender side of a warriors heart. Contrasting his hard vocal approach on lyrical rhymes, the soulful female vocals in the choruses and the winding melodies floating in the background do well push the release even further. While the soundscape breaks down from time to time it rebuilds very strong with pro songwriting chops. The low-fi opening of “Progression” makes you feel like you are lying in bed listening to an old radio as the sound blossoms and creates a beautiful bouquet. The verse tag team action with Choric Lumina adds yet another dimension that takes you on a fuller and deeper journey. The electronic elements on this track help mixup the tone flow and activates different pallets that will make you want to dig deeper into each song.  With opening vocals singing in an Indie Rock vibe, the track “Burn Like Fire” makes you feel you are stuck out in the rain ready to shake off the cold wet blues and become a soaring Phoenix. The contrasting melodic sung verse and choruses with Aida’s signature vocal flow authentically replicates what it feels like sometimes to be stuck in a conflicted relationship. The acoustic guitar work is placed really well in this song in unison with the strings in the chorus create a powerful track that drips with passion. Opening vocals lines on “Mirror’s Reflection” reach deep into a rejected heart wanting to love. Clean electric guitars evoke visions of broken hands reaching out for love and understanding. Pounding beats feel like a world beating down that doesn't understand. Growling bass guitar lines pose as the Mirror that is relentless and unforgiving. As the tune “Cry Out For Help” unfolds you find yourself starring face to face with a desperate man. Piano work creates textures that are true beauty in motion. The beat takes the back seat and provides a solid back bone, but the haunting hook vocal is that which rain clouds release for. While sounding a bit over processed the hook line serves it’s purpose and makes you wonder if someone is laying on the floor amidst the shards of broken glass. Electric guitars create a tension that makes you feel like a storm is brewing on “Fade Out”. Bass notes provide a flow that feel like a cold breeze which is trying to steal your soul. With spirited vocals slamming the tag team nature helps the song evolve and keeps the sparks flying. Female vocals sweetly weaving through the choruses are the light that keep the strongest dreams alive. The cadences employed here on the varying vocal deliveries are that of true pro status. I would call this cut a true stand out track. With the funky piano groove on “Feel Good” you cant help but get your pants out of the chair and shake your skin till it shines in the sun. The samples are laid with excellent position. This thick track has the goods and is an awesome way to round out such a deep reaching album. I would recommend this release to anyone that likes true emotion on display. Those that like Pop, Rap and Hip Hop will especially find jewels here to enjoy for weeks to come.  With Aida on The Cusp of Beauty his star has only begun to shine. Hopefully he will not rest on what he has created hear and continue to push the boundaries with more emotionally energizing tracks to be cut in the future. 





Michael
Music Reviews


Saturday, November 21, 2015

Matt Maher, Leading the Way With His "Firelight"

“Firelight” - As I press play on the single “Firelight” , guitars wind out of my speakers and into my mind. I feel like I am being propelled back in time to a point in my life where everything was on the line. Notes selected bring a rising tension to the number as vocals plead for a better day. Soul and true desire are on full display, like a man hungry in the desert. Beautifully pleading Mr. Maher unleashes his desires like the kick drum that drops beat after beat like the world does so well to beat you down. As the song opens to the chorus I feel the urge to open my arms and welcome Jesus in. This is the typed of stomping song that will have you wanting to get out of your seat and run to the new day, and become all that God wants you to be. Electric guitars have a gritty charm to them and represent just how dirty the world can be. In contrast the organs swell in background with angelic beauty and push this song's emotion to a higher level. Percussion textures lay a driving beat that will encourage the soul to put one foot in front of the other and walk past the door of doubt and fear. They serve the backbone of the song well and help provide the power with a swinging beat. Bass guitar notes pulse and curve through this cut with a low-end growl that act as a concrete podium that will help raise your spirits into the heavens where you can reach your full potential. At the 2:36 mark the vibe of the song cuts to a delicate and tender moment like that of a true beating heart waiting to unleash all that can become. As the song rebuilds with vocals sung straight from the gut Matt allows this track to take flight even higher. I would recommend this song to those that like Pop, Rock, Americana and Christian genres. With the world so cold and dark anymore this is one of those songs that will serve as a “Firelight” to help the lost souls find their way to be saved.





Michael
Music Reviews


Friday, November 20, 2015

Dylan Ruiz, Bringing the Sunshine With This Life

“This is My Life” - This is one of those songs that talk about the dark-side of life, but unites with music that is rich in character and will leave a hop in your step. An inspirational song that has an infectious beat, this is great to put in your ears when you are about to take on the world. Production is top notch, I really like how the construction of this song has plenty of open air so that all the elements have room to breathe. It allows the message come through, and keeps the track from being overly claustrophobic. Piano work rings through you mind like past memories and regrets. They hang in the air to be absorbed and enjoyed. Bass clef notes ring far in the background like memories that haunt, but give power to the song. They remind you of how far you have come, how better you are and foretell what wonderful opportunities lay ahead. The percussion work is nontraditional and serve the song well. They help the tune break out of the common Pop model. Guitar work that dances around the choruses are like butterflies of hope that will rise the spirits of any dark day. I would recommend this track to those that like Pop music. This song is a ray of light in a dark world obsessed with  feeding personal addictions. While “This is my Life” is a song personal to Dylan Ruiz it also can serve as an inspiration to what we can all strive for. 




Michael 
Music Reviews


Tuesday, November 17, 2015

The Boston Shakers, Rocking You into a Flow of Bliss

The Boston Shakers Demo - When the opening drums start pulsing in my ear I feel like I have either drank too much coffee or that I actually woke up in another dimension in a dream where slow motion is 500 bpm.  The drums pound, the guitars are fuzzed and overdriven, bass guitar notes pulse like a teenagers pelvis after staring at a cover of Cosmo for an hour, and vocals swagger and flow like a cat in heat out late at night. “Plastic Bag” embodies true Rock n’ Roll attitude and lays it down like seasoned veterans. “Black Magic” continues the flow and rocks a tempo that sits left of center. It fits the song well. The Boston Shakers rock the rap/rock thing like a real rock band would and flows like a poet truly in the zone. If this is the things a demo from the The Boston Shakers are made of then the authentic release is sure to be a sizzling shot of artistry to the brain. With hooks that will have you humming the songs for weeks TBS take your ears by storm and will tantalize your brain with picturesque lyrical lines.  Rounding out the selections for my tasting was the cut “Best Things in Life for Free”. The bass grinds like a pair of jeans wore so tight you will see the goosebumps rise as the music climaxes. This is truly an infectious song that will have the audience clapping and singing along. With guitar and vocal hooks in toe you have here a classic anthemic song. I would recommend this to those that like Rock, Alternative, Rock/Rap and Underground Rap genres. The Boston Shakers live up to their name shaking up the musical landscape with a set of songs that were born to rock. 








Michael
Music Reviews


Friday, November 13, 2015

Hats Off Gentlemen It’s Adequate, Killing the Code With a Twisted Release

When the Kill Code Fails - With the opening winds flourishing in your ears you will immediately be taken away to a land that hides in the dark recesses of you mind. The bass guitar resonates larger than this earth. Guitars jangle like the chains trying to be broken. You might just find yourself sliding out of you chair into an alternate dimension. The percussion work is far off in the background. This isn't your average rock band singing about wine, women and song. Closing my eyes I see the gentle swaying of yellow tulips on a warm spring day with a  cold thunderstorm rolling in. As the blue skies fade to black and the lightning crashes Hats Off... take you on a journey that you will not soon forget. “Broken Wave” stirs the imagination of purity gone a rye with ominous synth work brooding over shimmering tones. This is definitely an album for the headphones. With so much to absorb and feel you won’t want to loose a note to ambient atmosphere. Small droplets of passion are transformed into notes creating rich waves of powerful sonic landscapes. This serves as a wonderful transition track into the cut “Layers”. Here on display is a traditional rock format. With vocals sung from the gut you can picture the mic stand having a hard time standing still. HOGIA create a dynamic within their band that has elements which each have their own story, but yet come together in a beautiful tapestry. Drums lay a solid, thick beat with an attitude full of snap and wit. Bass guitar tones grind with the right amount of mid range pop. Guitars cut though the mix like an additional voice breathing the spirit of freedom in this song. Key work adds the extra elements of atmosphere that would the song lost at the gate without it. Cutting back to more of an electronic vibe “Connections” make you feel as if you have been sucked into the Matrix where you are surrounded by a mass of people. Everyone is talking but you cannot hear a word. Ominous tones raise an uneasy feeling and you feel like you are in the middle of a trap that is about to be sprung. The flow and transitions of this piece make the sound which evokes a vision of a long curly haired red-head. It just sounds like trouble, but too good to look away from. Before you know it you are sucked in and cant get out. Snapping you out of a trance with one crack of the snare, the song “Head in a Jar” wakes you back up and brings you into the true reality. Overdriven guitars rage like a fire at 500 degrees Celsius. The waves of fire dance and snake through this track as the bass notes do the best they can to tame the snake of fire. With power and precision they lock tight with the beats off the drum kit and cage the piece all together so that it doesn't get out of control. Vocals beckon to your better senses and plead for your attention. Melodies roll off the tongue like spikes of venom wanting to kill the lies in humanity flourishing today. “Link” dives back into the electronic realm with an uptempo beat that makes you want to move, actually run. The high fluttering notes with make you feel like your feet are unaffected by gravity leaving you to be swung around by the bass clef work into a dance of sweat nearing a lust like nature. Flute lines amongst the slinky guitar tones in “Going Down” make you wonder which voice you should listen to. HOGIA have great Rock n’ Roll facet to their being. You could almost imagine that if this band played solely traditional rock tones they would be a force to be reckoned with. The electronic journeys add an additional dimension to this release. The only downside is that the sharp back and forth between the two can be a bit confusing. With “I Still Remember You” they blend the two sides a bit and create a beautiful sonic sandbox to play in where you are surrounded by castles and pyramids. It’s not so much that the electronic element is alive here but the flow and burn transform the dynamics into something fresh and interesting. The phrasing in textures around the 3:12 mark are those of musical bliss. The audiophile side of my brain came completely unwound. As bass notes ring and reach for the sky in the song “My Clockwork Heart” guitars work to pull you up to a different plain where vocals lay out a story straight from the heart. I feel like I am walking a tightrope of clouds high in the sky. With a mild fear of falling this song winds and weaves across the heavens around the world. Just as in life you may fall, but with songs like this you can be lifted and transported away from the daily pains life can bring. One of my favorite cuts was the number “Freerunning”. It has a vibe that just brings true joy with an infectious beat, dazzling key work and bass notes that hit like a sledgehammer. The overdriven guitars do bring a bit of a metallic flavor to the song, but its a strong instrumental number that will make you feel like you mainlined a pot of coffee. A blues guitar vibe takes center stage on “Solace” that simply sounds like a broken heart plugged straight into an amplifier. Drum work is rather subdued and allow the track to unfold into its own beauty. Keyword that frames it all in is right on point. Bass notes pulse like a heart trying to carry on. Like a graceful dancer this song will spin through your ears like poetry in motion. Vocals take the song over the top and give the guitar a true run for its money in the passion department. “Glass Lithium” embodies elements that make you feel like you are being asked questions through music. If you can talk through musical notes I would check out this track. There is a brilliant discussion going on here. With raunchy Rock n’ Roll on full display “Alive” has the gut, sweat and groove that will make the staunchest prude move. Hats Off Gentlemen It’s Adequate have delivered an interesting release. I almost hear this as a double EP from two different acts rolled together and smoked releasing a “fire and ice” type pleasure. I can only wonder what kind of sensation would be had if the two vibes were married more closely in each song on the next release. Cause yeah, this is band that you will want to hear more from. I would recommend this to those that like Rock, Electronic, Industrial, Experimental and Progressive genres. When the Kill Code Fails truly delivers and this is code for, Get and listen to this now!





Michael 
Music Reviews



Monday, November 9, 2015

Last Chance City, An Epic Release That Delivers A New Beginning

A New Beginning - With swirling sounds opening this release Last Chance City open a world for you that will entice the sonic senses and open your mind. With an electronic backbone this Rock outfit hits hard on all five tracks of this release. As you soar to the heavens with their cut, “Life and Love” guitars push you to the edge of your seat while the drum work propels you to move. Bass guitar pulses and winds through the background instigating a passion in your heart that you will not let go easily. Vocals weave through this sonic jungle and reach into your heart and will sure to enflame a passion that will make you sweat. Last Chance City has the ability to craft epic songs that build tension and release like a dam blown wide open. On “Fire Your Guns” the band layers textures that peel back like an onion but stay sweet as morning dew drops kissed by angels. With twist and turns from sweet and nice to naughty and dirty you will feel as if you are on a rollercoaster through the artistic collective that embodies LCC. As the ride pauses around the 3:15 mark the mellow doesn’t last long. Cranking emotions back up like true rockers, you are taken one last go around before the sun sets on this track for good. With opening swells and delicate notes rolling into your ears the song “Rising Flames” sets in front of you like a campfire on a cold night. As the track unfolds that campfire blossoms like a raging bonfire that will leave every inch of your skin alive with electricity. This is the type of release that you would want to put the headphones on and turn off all the lights and lay still so that your imagination can take over and go for a ride. At 2:55 mark “Rising Flames” pulls back with bullhorn vocals that command an epic chorus to follow. These are songs that were made for inspiration. Rounding out the set is the cut “Behind the Hidden Sky”. Driving rhythm guitars cut to an eerie staccato run and you almost feel like you are lost in a fog cloaked autumn forest. As you run to find your way out the song builds and guides you to an escape before the fog can envelope you. Coming to a clearing you see the sky above and you are pulled by a force only this music and propel you with. I would recommend this to those that like Rock, Alternative, Electronic and Pop/Industrial genres. If you are in the mood for a journey through music then I would recommend this release. For A New Beginning is at hand. 


Michael 
Music Reviews


Bogart, Letting Loose Like a True Artisan

“Let Me Be The One Freestyle” - Freestyles are always interesting because you hear an artist working on the fly. Musically the compositions can be rather limiting because you generally hear one beat looped over and over. The upside though is that the length is short enough to keep the monotony at bay. With some electronic fluttering over a thick snare/kick combo Bogart flows about aspirations rather than bragging about what pretends to be or have.  At the 1:17 mark the music morphs as this talented artist cranks it up a notch and really starts to cut. The track wraps up around the 1:30 mark and you are left only wanting more from this artist. The spin is fresh and disposes largely with Rap cliche’s of late. You don’t hear about how he has tons of great weed or how he nails your girl in front of you while he is counting his millions getting drunk. On display is a true talent willing to crack the door open so you can see the man behind the mic. More is sure to come from this poet and you would do yourself well a favor to check out this cut. 




Michael
Music Reviews